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https://freight.cargo.site/t/original/i/R1921735210033318999988514393273/Film-N3.jpg Video, sound / 4’26’’ | <a href="https://drive.google.com/file/d/1hl9h6zUap4VK7SEtU-9xrSET61lF_nTk/view?usp=sharing" style="color: rgb(0, 0, 0);" target="_blank">Link to the movie</a> In this video, a young woman stands still, facing the camera. To her left, a steep, dark-coloured slope. In the background, a mountainous landscape of tropical forest. The scene is set in Cubatão, on the outskirts of São Paulo, within an industrial site owned by Petrobras, one of the most toxic areas in the country. The ground is black, covered with a layer of tar, from which moisture seeps and lingers. For more than two centuries, Cubatão was one of the strongholds of the Bandeirantes, the slave-hunting groups emblematic of Brazil’s colonisation. The sound accompanying the video was recorded directly on Petrobras’s massive pipelines, located just a few metres from this sequence shot. These metal pipes carry gas down from the mountain to the valley. The noise is dull, insistent, and regular—like a troubled and troubling pulse. https://freight.cargo.site/t/original/i/J1921735419108716331412572409017/Film-N1.jpg Video, sound / 1’ | <a href=" https://drive.google.com/file/d/1vWLsa8qrV-rYrSeZ-Z4sDz2b5QmwK1D7/view?usp=share_link" style="color: rgb(0, 0, 0);">Link to the movie</a> The camera focuses on a pine tree, slightly stirred by the wind. One can make out the structure of a residential building, a garden, and, omnipresent, a thick mist with the milky light typical of Rio de Janeiro’s mountainous landscape in winter. The soundtrack captures the sounds of the building: an electrical generator, followed by a crackling radio. https://freight.cargo.site/t/original/i/Y1921735572788541209486846921913/Film-N2.jpg Video, sound / 1’ | <a href="https://drive.google.com/file/d/1ozfXMXgQzPWVx9WsJCch5xKkqgg_M4YK/view?usp=share_link" style="color: rgba(0, 0, 0, 0.97);">Link to the movie</a> Another sequence shot shows a section of the Rodovia dos Imigrantes, one of the main highways leading into São Paulo. Night is falling, a storm is approaching. Trucks move through the clouds, like large animals fleeing from an unknown threat. https://freight.cargo.site/t/original/i/U1921735698982717417733889526969/Film-N6.jpg Video, sound / 3’40’’ | <a href="https://drive.google.com/file/d/1H90LxFzRFp4liRDN0bafXXI2XX7He7br/view?usp=sharing" style="color: rgb(0, 0, 0);">Link to the movie</a><a href="https://drive.google.com/file/d/1H90LxFzRFp4liRDN0bafXXI2XX7He7br/view?usp=sharing" target="_blank"> A fourth sequence shot shows a jagged coastline, seemingly eroded by ocean mist. An anchored vessel slowly emerges from the fog, only to disappear into it once again. The soundtrack captures maritime sounds that unfold into infinity. The scene is set in Salvador de Bahia, one of the first points in Brazil where Portuguese colonisers arrived, followed by the enslaved people they brought with them. These waters have witnessed history and still carry its memory. </a> https://freight.cargo.site/t/original/i/W1931478357730379376834805828793/Film-N3.jpg Video, sound / 2’25’’ | <a href="https://drive.google.com/file/d/1MiFCH3oKlw8I5ApKamgZpIdx5eBF9SoC/view?usp=share_link" style="color: rgb(0, 0, 0);" target="_blank">Link to the movie</a> Two sequence shots were filmed in Brasília on 31 October 2022, the day after the presidential election. In both cases, helicopters were circling overhead. The sound of their rotors, at times loud, at times more distant, forms the basis of a curiously similar soundscape that gradually imposes itself with inescapable insistence. On the left, we see the entrance to the National Congress, the Brazilian parliament. The building is austere and perfectly ordered. It appears to dominate—almost to crush—a solitary man, probably a civil servant, whose gait is hesitant, even erratic. Ten weeks later, the Congress would be invaded and ransacked by supporters of former president Jair Bolsonaro. The scene on the right was filmed a few hours later and at a short distance, on the margins of Brasília’s Pilot Plan. In a chaotic setting typical of Brazil’s urban peripheries, a group supporting the far-right candidate blocks a highway. The phenomenon would repeat itself across Brazil, paralysing parts of the country in the final months of 2022. https://freight.cargo.site/t/original/i/Q1931481140809104521468567686329/Film-N4.jpg Video, sound / 0’55’’ | <a href="https://drive.google.com/file/d/11bco9kCMuW4oFaaZmC5nOBSfvn9Bl_Ci/view?usp=sharing" style="color: rgb(0, 0, 0);" target="_blank">Link to the movie</a> Two sequence shots were filmed on the outskirts of Brasília. On the left, a drift scene unfolds—the name given to car competitions in which modified engines perform circular manoeuvres, burning through the rubber of their tyres to the limit before the engine gives out. This is a speciality of the Federal District region—leading the country in ethanol and rubber production—which consistently draws large, predominantly male audiences. On the right, two young women sit on a sofa, staring fixedly at a screen that remains unseen. 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https://vincentcatala.me/publications 2025-12-16T20:51:42+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y1921705318412713126967208381625/ZUMCouv.jpg Revista ZUM #17 / Instituto Moreira Salles, 2019 25-page portfolio — including the magazine cover — with a text by writer João Paulo Cuenca, devoted to the work on Rio de Janeiro’s West Zone. ZUM is the biannual publication of the Instituto Moreira Salles, dedicated to contemporary photography. https://freight.cargo.site/t/original/i/P1921706629773302582905523211449/MCouv.indd.jpg M le magazine du Monde - 2020 Portfolio and magazine cover — devoted to elderly residents of the Copacabana neighborhood — during the first weeks of the COVID-19 pandemic. https://freight.cargo.site/t/original/i/J1928364858084587870233131551929/AT-2024-QUILO-VC__0011.jpg Revista Quilo - 2023 A publication exclusively devoted to photographic projects created in Brazil. https://freight.cargo.site/t/original/i/X1928372315955642918415173487801/AT-2024-QUILO-VC__0030.jpg https://freight.cargo.site/t/original/i/J1931284534709790650266481396921/526.jpg https://freight.cargo.site/t/original/i/O1937905796207120825495390063801/CAPA_5_7eb45cb0-37eb-42c1-9e6c-75389d977dff_1024x10242x.jpg ELLE Brésil (Vol. 14) - 2023 https://freight.cargo.site/t/original/i/C1937905881947587280097385974969/A2-SAISION-MAG16-DEF.jpg Théâtre de Vidy - Lausanne, 2022 https://freight.cargo.site/t/original/i/Z2262473436219578734165413399737/PHOTO-2025-03-14-10-31-04-4.jpg Télérama - 2017 https://freight.cargo.site/t/original/i/Q2309519880152693030551632022713/MA.jpg M le magazine du Monde - 2023 Ten-page portfolio devoted to the Île Brésil series, which was still in progress at the time. https://freight.cargo.site/t/original/i/Q2309519880060459310183084264633/01-3A.jpg Revue Envol(s) - 2023 Portfolio published in Envol(s) magazine (formerly Air France Magazine). https://freight.cargo.site/t/original/i/V2309519880115799542404212919481/Krenak-SiteA.jpg M le magazine du Monde - 2024 Portrait of Ailton Krenak, one of the leading voices advocating for Indigenous rights in Brazil. https://freight.cargo.site/t/original/i/Z2309519880226480006846470229177/T2A.jpg Télérama - 2019 https://freight.cargo.site/t/original/i/J2309519880097352798330503367865/BobardiA.jpg Instituto Bardi - 2021 Portfolio devoted to the Casa de Vidro in São Paulo, designed by Brazilian architect Lina Bo Bardi. https://freight.cargo.site/t/original/i/Q2309519880208033262772760677561/T1bA.jpg Télérama - 2017 https://freight.cargo.site/t/original/i/O2311975142582113767041232342201/Untitled-2.jpg Portfolio published in Fisheye Magazine, 2019 https://freight.cargo.site/t/original/i/G2699670050660357686189090999481/Untitled-2bis.jpg https://vincentcatala.me/exhibitions 2025-12-16T21:04:21+00:00 always 0.5 https://freight.cargo.site/t/original/i/A1921724798912324727202096942265/parisphoto.jpg Paris Photo, Galerie VU - 2017 https://freight.cargo.site/t/original/i/G1921725235528310207833474141369/INCADAQUES.jpg Incadaqués Photo - 2022 https://freight.cargo.site/t/original/i/T1921726074025062078301142846649/IMS.jpg Instituto Moreira Salles - Novembre 2019 So Far, So Close: Crossed interviews with artists Rosângela Rennó, Aleta Valente, and Vincent Catala. <a href="https://youtu.be/BfeQXNdKVXA?si=otrIcea2VEepH6kF" style="color: rgb(0, 0, 0);"><text-icon icon="speaker-2"></text-icon> Link</a> to the movie (in portuguese) https://freight.cargo.site/t/original/i/Y1921727205419216351129072110777/DarAlAnda.jpg Galerie Dar Al Anda - Amman, Jordanie https://freight.cargo.site/t/original/i/W1921727816172465887578616564921/Carredart.jpg Galerie Le Carré d'Art - Chartres de Bretagne https://freight.cargo.site/t/original/i/L1921730344944377232052499844281/Podcast-Vision.jpg Podcast Vision(s) - 2023 Interview discussing the genesis and completion of the Île Brésil series, featured on the Vision(s) podcast dedicated to contemporary photography. <a href="https://www.visions.photo/podcasts/vincent-catala" style="color: rgb(0, 0, 0);"><text-icon icon="speaker-2"></text-icon> Listen to the podcast</a> (in french) https://freight.cargo.site/t/original/i/V1931209317668108241800737918137/daralanda04.jpg Exposition NNIPAS - Institut Français, Amman https://freight.cargo.site/t/original/i/D1931283837072376526644948831417/ZUM_VC_020.jpg Podcast Vision(s) - 2023 Interview discussing the genesis and completion of the Île Brésil series, featured on the Vision(s) podcast dedicated to contemporary photography. <a href="https://www.visions.photo/podcasts/vincent-catala" style="color: rgb(0, 0, 0);"><text-icon icon="speaker-2"></text-icon> Listen to the podcast</a> (in french) https://freight.cargo.site/t/original/i/M1934567211197922834168433413305/IMS.jpg Institut Moreira Salles - 2022 https://freight.cargo.site/t/original/i/U2308864117087424402659459009721/carredart03.jpg https://freight.cargo.site/t/original/i/T2309564072869896463934762060985/Untitled-1.jpg Galerie Dityvon - Avril 2024 https://freight.cargo.site/t/original/i/Q2309565835788334100209190898873/MCP2.jpg https://freight.cargo.site/t/original/i/P2312191932057328679033252416697/Screenshot-2025-04-17-at-14.49.32.png Exposition collective - Galerie VU, Paris https://freight.cargo.site/t/original/i/Z2659435833881398762137979260089/01.jpg https://freight.cargo.site/t/original/i/U2659435863875804625989710187705/02.jpg https://freight.cargo.site/t/original/i/F2659435889830373537699049311417/03.jpg https://freight.cargo.site/t/original/i/S2659435947015280166198659321017/04.jpg https://freight.cargo.site/t/original/i/T2659435966347467955446269414585/05.jpg https://freight.cargo.site/t/original/i/M2659435991527273616059807370425/06.jpg https://vincentcatala.me/page-nav 2025-12-16T20:33:05+00:00 always 0.5 https://vincentcatala.me/bio 2025-12-16T20:33:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/B1924773879465651323813742578873/WhatsApp-Image-2024-08-17-at-12.55.01.jpg Copyright : Alessandro Camilo https://freight.cargo.site/t/original/i/W1934540006105783623985096101049/DSC01253-1ok2nb.jpg Copyright : Alessandro Camilo https://vincentcatala.me/top-nav-—-mobile 2025-11-21T14:01:25+00:00 always 0.5